Disaster Transport Modulated Delay Guitar Effects Pedal

Features

• Mix- Sets the output level of the effected signal. This should be treated as a gain control/ master volume for the delay line. Unity is around noon and everything above noon will boost the delayed signal louder than the original.
• Tone- The Disaster Transport has done away with a lot of the heavy filtering and replaced it with a tone control which allows the user to choose their desired sound and results in more natural tape-like repeats. The tone control is at it's darkest fully counter clockwise and brightens as you turn it clockwise.
• Time- From about 30ms fully counter clockwise to about 625ms fully clockwise.
• Repeats- Sets the regeneration of the delay line. From one single repeat fully counter clock- wise, subtle repeats around 9 O'clock, strong naturally decaying repeats at noon, near infinite repeats around 2 O'clock and full on self oscillation fully clockwise.
• Depth- Sets the depth of the modulation to the delay line. The modulation is true pitch-shifting vibrato, higher depth settings will give sea sick pitch bending, lower settings will yield a more natural chorus/leslie/tremolo setting depending on modulation rate and delay time.
• Rate- Sets the speed of the modulation. Goes from painfully slow to way-to-fast allowing several different modulation styles to reveal themselves.
• Bypass- Turns the effect on/off.

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