2012 GC6-L Maple/Spruce Grand Concert Left-Handed Acoustic Guitar

The Taylor 2012 GC6 Maple/Spruce Grand Concert Left-Handed Acoustic Guitar has a traditional styling that is intimate and curvey, yet it projects and has the loudness of a bigger instrument. The slotted peghead and short-scale neck deliver a more "woody" tone and an unbelievably easy feel on the fretboard. The Taylor GC6 has figured big leaf maple back and sides paired with a Sitka spruce top, resulting in an acoustic guitar that impresses in both tone and appearance. Taylor G6 Appointments include a bound neck, an Indian rosewood headstock overlay, and a beautiful abalone rosette.

Grand Concert (GC)
Body Length: 19 1/2" / Body Width: 15" / Body Depth: 4 3/8"
A smaller bodied guitar ideally suited for fingerstyle.

The small-body Grand Concert debuted in 1984 to meet the needs of a new wave of adventurous acoustic fingerstyle players. In contrast to the traditionally darker, boomier voices of bigger body styles like dreadnoughts and jumbos, the GC' compact size and tapered waist kept the overtones in check. It was also more comfortable to play while sitting down, and the guitar' slightly wider neck gave players more room for complex fingerings.
GC' smaller sonic footprint also fit cleanly in a mix with other instruments when tracking in the studio and with a band on stage, making it a useful tool for professional session and side players. Our current generation of GC models continues to accommodate fingerstylists with finger-friendly traits like a shorter 24 7/8-inch scale length, which makes fretting easier and adds a slightly slinkier feel on the strings due to the lighter string tension. If you feel more comfortable with a small body or favor controlled overtones, a Grand Concert is a great option.

Big Leaf Maple
Origin: Western North America

A dense hardwood, maple's tone is like a laser beam ” very focused ” and dominant on the fundamental. Often described as having a "bright" sound, maple has fewer overtones than other medium-density woods, resulting in quicker note decay. This makes it a preferred guitar wood for live performance settings with a band ” especially with bass, drums and electric guitar ” because it cuts through a mix well, allows the acoustic sound to be heard, and is less prone to feedback issues. It has some midrange, and a lot more treble sparkle than rosewood.

Goes Well With: Live band performances, recording, lead players who like clean articulation and note definition, 12-strings, players with dark bone tone.