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Venice 320 32-Channel Analog Mixer

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Overview

High-end quality in a live-sound design.

The Midas Venice 320 Analog Mixing Console sets a new standard in compact mixing consoles. Venice is Midas' first truly compact console built in direct response to customer demand. And the Venice 320Show More
Specs

Venice 320 32-Channel Analog Mixer Specifications:

  • Input Impedance: Mic - 2k Balanced, Line: 20k Balanced
  • Input Gain: Mic - Continuously variable from 0dB to + 60dB, Line Mono Channel - Continuously variable from- 20dB to + 40dB, Line Stereo Channel - Continuously variable from- 20dB to + 20dB, Line Level Inputs - 0dB
  • Maximum Input Level: Mic: + 22dBu, Line Level Inputs: + 22dBu, Line Mono Channel + 42dBu, Line Stereo Channel + 28dBu
  • CMR at 100Hz: Mic (gain + 40dB) Typ. 75dB
  • CMR at 1kHz: Mic (gain + 40dB) > 85dB, Line > 45dB
  • Frequency Response (20 to 20kHz)(gain + 60dB): Mic to Mix: + 0dB to - 1dB
  • Noise (20 to 20kHz) (gain + 60dB): Mic EIN ref. 150ohms: - 129dBu
  • System Noise (20 to 20kHz): Summing Noise (16 channels routed with faders down) - 90dBu; Line to Mix Noise (16 channels routed at 0dB, pan centre) - 86dBu
  • Distortion at 1kHz: Mic to Insert (+ 30dB gain, + 20dBu output) - Typ 0.0007%, Mic to Mix (+30dB gain, + 20dBu output) - < 0.009%
    Crosstalk at 1kHz: Channel to Channel < - 80dB, Mix to Mix < - 80dB, Channel to Mix < - 80dB, Fader Attenuation > 100dB, Switch Rejection > 100dB
  • Output Impedance: All Line Outputs - 75 Ohms Balanced Source, Headphones - To drive 32 Ohms
  • Maximum Output Level: Master Outputs on XLR: + 25dBu, All other Outputs on XLR: + 22dBu, All Outputs on 1/4 inch jacks :+ 22dBu
  • Headphones: + 22dBu/600ohms
  • Nominal Signal Level: Mic - 60dBu to 0 dBu; Line 0dBu
  • Equalizer Mono Channel
    • Hi Pass Slope: 12dB / Oct
    • Hi Pass Frequency: 80Hz
    • Treble Gain: Continuously variable, + 15 dB to - 15 dB, Centre detent = 0dB
    • Treble Frequency: 12k
    • Hi Mid Gain: Continuously variable, + 15 dB to - 15 dB, Centre detent = 0dB
    • Hi Mid Frequency: Continuously variable, 400 Hz to 8k, Hi Mid Bandwidth: 1.4 Oct. (Q = 1)
    • Lo Mid Gain: Continuously variable, + 15 dB to - 15 dB, Centre detent = 0dB
    • Lo Mid Frequency: Continuously variable, Centre from 100Hz to 2k
    • Lo Mid Bandwidth: 1.4 Oct. (Q = 1)
    • Bass Gain: Continuously variable, + 15 dB to - 15 dB, Centre detent = 0dB
    • Bass Shelving Frequency: 80Hz
    Equalizer Stereo Channel
    • Hi Pass Slope: 12dB / Oct
    • Hi Pass Frequency: 80Hz
    • Treble Gain: Continuously variable, + 15 dB to - 15 dB, Centre detent = 0dB
    • Treble Frequency: 12k
    • Hi Mid Gain: Continuously variable, + 15 dB to - 15 dB, Centre detent = 0dB
    • Hi Mid Frequency: 3k
    • Hi Mid Bandwidth: 1.4 Oct. (Q = 1)
    • Lo Mid Gain: Continuously variable, + 15 dB to - 15 dB, Centre detent = 0dB
    • Lo Mid Frequency: 300Hz
    • Lo Mid Bandwidth: 1.4 Oct. (Q = 1)
    • Bass Gain: Continuously variable, + 15 dB to - 15 dB, Centre detent = 0dB
    • Bass Shelving Frequency: 80Hz
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