Bass Station II is an analog mono-synth with a talent for bass, but a sound engine that is versatile enough to kick out sharp leads and crisp arpeggios. It brings the best elements of the original Bass Station into a brand-new design with reworked modulation, effects, filters and more; like the Bass Station, but much much bigger.

The signal path is pure analog—including the effects section. The hardware has been laid out in modules with dedicated pots, switches, sliders and buttons for all major parameters. Critically, you can store and recall patches on Bass Station II. It comes with 64 killer factory presets, space for 64 of your own sounds on the hardware, and the ability to store more on your computer.

The key mechanism consists of 25 full-sized keys that are velocity sensitive with assignable aftertouch. It has been developed as a synth-action keyboard, where each key is individually sprung so it is light to the touch and highly responsive to the synth engine. Bass Station II is a fully class-compliant MIDI device with MIDI I/O on 5-pin din ports—for connecting to other MIDI outboard—and can interface with your computer over USB.

The Synth Engine: A Brief Overview
Oscillators: Bass Station II is built on three analog oscillators and a noise generator. There are two fully independent oscillators plus a sub oscillator (which is the critical component in creating rich, analog bass sounds). Oscillators One and Two are switchable between sine, sawtooth, square and variable pulse width, and Oscillator Three—the sub Osc—can be set to one or two octaves below Oscillator One. It can be square, sine or narrow pulse width, delivering the characteristically "fat" bass tone.

Filters: You can select between two discrete filters—Acid or Classic—each with a built-in overdrive for pushing filter tones from dry, to warm, to nasty. The Classic Bass Station filter can be switched between low pass, high pass and band pass at 12 or 24dB slopes. The Acid filter is based on a diode ladder filter design that delivers a characteristically 303-style sound that is designed to squelch.

Effects: Bass Station II has two effects (not including the filter overdrive). Analog distortion drives circuit components to add new frequencies to the sound. Bass Station II's Distortion function can add gentle warmth, filthy granularity and anything in between. The second effect is Osc Filter Mod, which creates a distinctive FM-type sound by using Oscillator Two to modulate the filter frequency. This is very good at crunchy, sound-mulching effects that substantially fatten up bass and lead patches.

Modulation: There are two envelope generators and two low frequency oscillators (LFOs). The first envelope is an ADSR amp envelope and the second is a mod envelope that can be used to modulate filter frequency, oscillator pitch and OSC pulse width. LFO One is dedicated to pitch modulation whereas LFO Two is used to modulate OSC pulse width and filter frequency. Although it looks like there are four LFO waveforms, the LFO Slew function can be used freely to sculpt LFOs into smoother wave shapes.

Arpeggiator and Step Sequencer: Bass Station II's Arpeggiator and Step Sequencer are killer performance and production tools. The Arp can be directed to run through 32 different rhythmic patterns in different directions with a switchable octave range. The fun really starts when you engage the Step Sequencer. Up to four sequences can be played in—with legato and rests—and assigned to any one of the 32 rhythmic patterns. As well as getting ideas down quickly and programming performance sequences, this is a brilliant way to preview patches while you are editing them.

Bass Station II v2.5
The v2.5 firmware update adds some of the most requested features including filter tracking, paraphonic mode, microtuning and new preset Soundpacks. Installation couldn't be easier from the Novation Components content manager.

Paraphonic mode
Bass Station II is now a paraphonic monosynth because you can control the pitches of each of the two oscillators separately in its single-voice architecture. Play two notes at a time rather than just one and get interesting interactions through the Ring and Filter Mod.

Filter tracking
Filter tracking was one of your most requested features. The filter includes variable keyboard tracking in Bass Station II v2.5—the best for matching higher notes to increased brightness.

Envelope retriggering
Bass Station II's secret sound-design weapon is envelope retriggering. It’s now possible to configure your envelopes to retrigger once the decay stage has ended, opening up a whole range of new possibilities.

Oscillator error
Oscillator error introduces a small and adjustable random detune on each note-on event. This can be used to generate some very beautiful, subtle (or not) musical dissonance, very much in the same way that vintage synths do (because of the looser tolerance of their electronic components). Paraphonic mode makes it as dramatic as possible.

Microtuning editing
Completely control the frequency triggered by each key press, giving your scales another dimension.

New presets
Two new Soundpacks are in Components: Silver and Sinevibes. Silver's presets explore the v2.5 features and inspire new tracks and sound design. Sinevibes, designed by Sinevibes’ founder Artemij Pavlov, gives 101 classic Bass Station II presets.

Warm greetings to you all
Bass Station II can now support a custom message display at start-up.